- #Using dante virtual soundcard software
- #Using dante virtual soundcard Pc
- #Using dante virtual soundcard professional
- #Using dante virtual soundcard windows
4) No VLAN / trunk supportĪs your network grows, you will likely have multiple VLANs set up. And with this we are approaching the limit of what is still acceptable for live effects.
#Using dante virtual soundcard software
If a signal first needs 4ms to the PC, then probably a few ms for the processing within the software and then again 4ms back, we are easily at 12ms latency and more. However, the 4ms become problematic when it comes to live editing. The whole thing can backfire, however, if unimportant data packets are accidentally given high priority.
#Using dante virtual soundcard Pc
With a little effort, the traffic coming from the PC can be modified in a managed switch like the Cisco SG350* and the DSCP tags can be set to higher priority. Data from the DVS, on the other hand, cannot be recognized by the switch as audio data and is the first to be lost in case of doubt. So if there is a bottleneck somewhere in the network, then the data from true Dante devices is preferred, as long as QoS is set up accordingly on all switches. Unfortunately, a QoS / DSCP tag is not attached as it is the case with all true Dante devices.
#Using dante virtual soundcard windows
And Windows has control over the hardware and sends the data on to the network card. Since the Dante Virtual Soundcard is only a Windows service, the data packets are transferred to Windows. In the event of a bottleneck, the switch knows which data to transport first and which data may be swallowed.
Clock data have the highest priority, audio data the second highest. But if you have already dealt with your network and have set up a security mechanism such as Quality of Service (QoS) with great attention to detail in all switches, then this information may be relevant for you after all.ĭante devices tag their outgoing packets with a so-called DSCP tag with regard to their importance.
It sounds very technical and hardly relevant to everyday life. 2) Outgoing flows do not have a QoS / DSCP tag And unfortunately this option is not available with the DVS and cannot be purchased or configured on request.
#Using dante virtual soundcard professional
It is not without reason, however, that all professional Dante devices have two network ports so that an audio connection does not get interrupted in the event of a network problem. And just for fun, recording 64 channels at a concert so that you have some material at home to mix with works wonderfully only with the primary network. Because playing a little background music is also possible through one network. Depending on the purpose, you will not mind this or you will not notice it at all. While two network cards can be configured in the Dante Controller for the primary and secondary network, there is unfortunately no such option in the Dante Virtual Soundcard. In order to show you the downsides and enable you to make a solid decision, here are my five not so pleasant points about the DVS: 1) No Redundancy Nonetheless, there are a few points that are not entirely obvious if you haven't used them before. I primarily use it as an interface between my calibration software and the microphone interface or for feeding into the respective sound system.īut even in everyday (sound) life, it can be used to play music into the system, or record a few channels, or intentionally generate 64 channels of Dante multicast traffic to test the network! I can warmly recommend DVS for the few dollars and use it myself every day. That's why I have the Dante Virtual Soundcard installed on each of my PCs. Unfortunately, the price jump is huge, especially since both solutions basically transport the same (identical) audio data into or out of your PC. The next level for such a multi-channel interface would be a PCIe card like this one from Yamaha *.